Sonorizare Evenimente
SISTEME SONORIZARE EVENIMENTE PA
16 Boxe KF760, Kf761
Amplificare Crest
System Configuration 3-way, full range
- Powering Tri-amplified
- LF Subsystem 2x 12-in woofers, horn-loaded
- MF Subsystem 2x 10-in cone, Radial Phase
- Plug™, horn-loaded
- HF Subsystem 2x 2-in exit/3-in voice coil compression driver, horn-loaded
Calculated Maximum Output (dB SPL @ 1m)
Single Enclosure
- LF Peak/Long Term 135/129
- MF Peak/Long Term 142/136
- HF Peak/Long Term 144/138
Eight (8) Cabinets Enclosure Array
- LF Peak/Long Term 154/148
- MF Peak/Long Term 169/163
- HF Peak/Long Term 156/150
Amplificare Crest
System Configuration 3-way, full range
- Powering Tri-amplified
- LF Subsystem 2x 12-in woofers, horn-loaded
- MF Subsystem 2x 10-in cone, Radial Phase
- Plug™, horn-loaded
- HF Subsystem 2x 2-in exit/3-in voice coil compression driver, horn-loaded
Calculated Maximum Output (dB SPL @ 1m)
Single Enclosure
- LF Peak/Long Term 135/129
- MF Peak/Long Term 142/136
- HF Peak/Long Term 144/138
Eight (8) Cabinets Enclosure Array
- LF Peak/Long Term 154/148
- MF Peak/Long Term 169/163
- HF Peak/Long Term 156/150
16 Boxe F760, Kf761
Amplificare Crest
Transducer Loading
- LF 2x 10 in cone Phase Aligned™
- MF 2x 7-in cone Horn-loaded
- HF 2x 1-in exit, 1.75-in voice Horn-loaded - coil neodymium, compression driver
Calculated Axial Output Limit (whole space SPL):
Average Peak
- LF 119 dB 125 dB
- MF/HF 130 dB 136 dB
Amplificare Crest
Transducer Loading
- LF 2x 10 in cone Phase Aligned™
- MF 2x 7-in cone Horn-loaded
- HF 2x 1-in exit, 1.75-in voice Horn-loaded - coil neodymium, compression driver
Calculated Axial Output Limit (whole space SPL):
Average Peak
- LF 119 dB 125 dB
- MF/HF 130 dB 136 dB
32 Boxe KF850
Amplificare Crest
Transducer Loading
- LF Subsystem & Loading 1x 15-in Horn Loaded Cone in Wave Guide Cavity with ARC™
- MF Subsystem & Loading 1x 10-in Horn Loaded Cone
HF Subsystem & Loading 1x 2-in Exit Compression Driver on
System Configuration 3-way, Full Range, Powering Configuration(s) Triamplified
Calculated Maximum Output (dB SPL, @ 1m)
- LF Peak 138.0
- MF Peak 141.0
- HF Peak 141.0
Amplificare Crest
Transducer Loading
- LF Subsystem & Loading 1x 15-in Horn Loaded Cone in Wave Guide Cavity with ARC™
- MF Subsystem & Loading 1x 10-in Horn Loaded Cone
HF Subsystem & Loading 1x 2-in Exit Compression Driver on
System Configuration 3-way, Full Range, Powering Configuration(s) Triamplified
Calculated Maximum Output (dB SPL, @ 1m)
- LF Peak 138.0
- MF Peak 141.0
- HF Peak 141.0
Subsystem: Transducer: SUB 2x 18 in. cone
Loading: Vented
Amplifier Channels: Single-amp LF1/LF2; Dual-amp LF1, LF2
External Signal Processing: DSP w/1-way filter
Performance: Operating Range (-10 dB, Hz):28 – 156
Axial Sensitivity (1W @ 1m, dB SPL): Sub: 96 (whole space)
Power Handling / Impedance (Watts @ Ohms)
- Sub – Single Amp: 1400 @ 4
- Sub – Parallel: 2x 700 @ 8
Calculated Maximum Output Peak (dB SPL)
- Sub (whole space): 133
Calculated Maximum Output Long Term (dB SPL)
- Sub (whole space): 127
Powering: Single/dual
Loading: Vented
Amplifier Channels: Single-amp LF1/LF2; Dual-amp LF1, LF2
External Signal Processing: DSP w/1-way filter
Performance: Operating Range (-10 dB, Hz):28 – 156
Axial Sensitivity (1W @ 1m, dB SPL): Sub: 96 (whole space)
Power Handling / Impedance (Watts @ Ohms)
- Sub – Single Amp: 1400 @ 4
- Sub – Parallel: 2x 700 @ 8
Calculated Maximum Output Peak (dB SPL)
- Sub (whole space): 133
Calculated Maximum Output Long Term (dB SPL)
- Sub (whole space): 127
Powering: Single/dual
Nominal impedance Passive 8Ω
Bi-amp MF/HF LF:8Ω, HF:8Ω
Power rating Passive *1 NOISE 600W
PGM 1200W
MAX 2400W
Peak SPL (calculated)
Passive 130dB SPL
HF 136dB SPL 134dB SPL 132dB SPL 134dB SPL
Components LF 12" woofer, 4" voice coil
HF Rotatable constant directivity horn, 1.4" exit, 3" voice coil compression driver
Bi-amp MF/HF LF:8Ω, HF:8Ω
Power rating Passive *1 NOISE 600W
PGM 1200W
MAX 2400W
Peak SPL (calculated)
Passive 130dB SPL
HF 136dB SPL 134dB SPL 132dB SPL 134dB SPL
Components LF 12" woofer, 4" voice coil
HF Rotatable constant directivity horn, 1.4" exit, 3" voice coil compression driver
16 Boxe KF850 Virtual Array
Amplificare Crest
Transducer Loading
- LF Subsystem & Loading 1x 15-in Horn Loaded Cone in Wave Guide Cavity with ARC™
- MF Subsystem & Loading 1x 10-in Horn Loaded Cone
HF Subsystem & Loading 1x 2-in Exit Compression Driver on
System Configuration 3-way, Full Range, Powering Configuration(s) Triamplified
Calculated Maximum Output (dB SPL, @ 1m)
- LF Peak 138.0
- MF Peak 141.0
- HF Peak 141.0
Amplificare Crest
Transducer Loading
- LF Subsystem & Loading 1x 15-in Horn Loaded Cone in Wave Guide Cavity with ARC™
- MF Subsystem & Loading 1x 10-in Horn Loaded Cone
HF Subsystem & Loading 1x 2-in Exit Compression Driver on
System Configuration 3-way, Full Range, Powering Configuration(s) Triamplified
Calculated Maximum Output (dB SPL, @ 1m)
- LF Peak 138.0
- MF Peak 141.0
- HF Peak 141.0
SISTEME SONORIZARE AUTOAMPLIFICATE
Speaker type Bi-Amp 2-way powered speaker
Frequency response:-10dB - 50Hz-20kHz
Nominal coverage H 90° - V 40°
Components: LF 12" (30cm) cone , HF 1.75" (4.4cm) voice coil compression driver
Output power:LF: 225W, HF: 75W
Maximum output level (1m; on axis): 121dB SPL
I/O connetcors: XLR-3-31 type, XLR-3-32 type, Phone
Processors: EQ (Low: +/-3dB; 55Hz, High: +/-3dB; HF)
Power consumption: 110W
Flying and mounting hardware : 2x M8-17
Pole socket: 1x 1-3/8 inch
Frequency response:-10dB - 50Hz-20kHz
Nominal coverage H 90° - V 40°
Components: LF 12" (30cm) cone , HF 1.75" (4.4cm) voice coil compression driver
Output power:LF: 225W, HF: 75W
Maximum output level (1m; on axis): 121dB SPL
I/O connetcors: XLR-3-31 type, XLR-3-32 type, Phone
Processors: EQ (Low: +/-3dB; 55Hz, High: +/-3dB; HF)
Power consumption: 110W
Flying and mounting hardware : 2x M8-17
Pole socket: 1x 1-3/8 inch
Key Features:
- 12" High-Output LF Driver
- 1.4" Titanium Dome Compression Driver
- Precision 2-Way Crossover
- Application-Specific Speaker Modes
- The Mackie SRM450 is a powered loudspeaker that features a 12" high-output woofer and a 1.4" titanium dome compression driver.
- With 1000 watts of power, you get the high output you need in a package that is designed to be tough, lightweight and portable.
- 12" High-Output LF Driver
- 1.4" Titanium Dome Compression Driver
- Precision 2-Way Crossover
- Application-Specific Speaker Modes
- The Mackie SRM450 is a powered loudspeaker that features a 12" high-output woofer and a 1.4" titanium dome compression driver.
- With 1000 watts of power, you get the high output you need in a package that is designed to be tough, lightweight and portable.
Active subwoofer system · molded enclosure containing one 15-inch, high excursion woofer
- monolithic high efficiency amplifier design
- threaded inserts for flying · internal molded insert for speaker stand
- one mic / line input via balanced XLR or unbalanced 1/4-inch jack
- Power: 400w · Max SPL:126 dB
- electronic 24 dB/Oct crossover, Freq. Resp.: 40 - 200 Hz
Crossover Frequency: 150 Hz
- Weight: 77 Ibs. 39kg.
- monolithic high efficiency amplifier design
- threaded inserts for flying · internal molded insert for speaker stand
- one mic / line input via balanced XLR or unbalanced 1/4-inch jack
- Power: 400w · Max SPL:126 dB
- electronic 24 dB/Oct crossover, Freq. Resp.: 40 - 200 Hz
Crossover Frequency: 150 Hz
- Weight: 77 Ibs. 39kg.
Console & Microfoane
MIXER DIGITAL – Sonorizare Evenimente
Console Yamaha PM 5D
- 48 mono and 4 stereo inputs, 24 mix buses and 2 stereo outputs, and 8 matrix outputs.
- Custom "DSP7" LSI for ultra-high-speed 96-kHz/32-bit processing.
- I/O capacity and functionality can be doubled or tripled by adding one or two rack-mountable DSP5D Digital Mixing Systems.
- Easy "virtual soundcheck" with individually assignable channels does not require complex re-patching.
- Built-in VCM (Virtual Circuit Modeling) effects offer impeccable simulations of classic signal processing gear.
Yamaha DSP 5D
48 mono and 4 stereo inputs. 24 Mix buses, 8 Matrix buses.
24 Omni Outputs.
Full channel functionality: gain, EQ and filters, dynamics, sends. 8 effect processors and 12 graphic equalizers.
2 Mini-YGDAI expansion card slots.
Full compatibility with DSP5D Editor computer software. T
he ability to function as a remote stage box via the DCU5D Digital Cabling Unit.
- 48 mono and 4 stereo inputs, 24 mix buses and 2 stereo outputs, and 8 matrix outputs.
- Custom "DSP7" LSI for ultra-high-speed 96-kHz/32-bit processing.
- I/O capacity and functionality can be doubled or tripled by adding one or two rack-mountable DSP5D Digital Mixing Systems.
- Easy "virtual soundcheck" with individually assignable channels does not require complex re-patching.
- Built-in VCM (Virtual Circuit Modeling) effects offer impeccable simulations of classic signal processing gear.
Yamaha DSP 5D
48 mono and 4 stereo inputs. 24 Mix buses, 8 Matrix buses.
24 Omni Outputs.
Full channel functionality: gain, EQ and filters, dynamics, sends. 8 effect processors and 12 graphic equalizers.
2 Mini-YGDAI expansion card slots.
Full compatibility with DSP5D Editor computer software. T
he ability to function as a remote stage box via the DCU5D Digital Cabling Unit.
CL Series digital 48kHz Centralogic™ mixing console
Intuitive and beautiful touchscreen display
Stereo + Mono/LCR, 24 Mix + 8, Matrix outputs
8 Omni inputs, 8 Omni outputs, 3 MY-card slots, and built-in Dante™ interface
Designed for use with RIO3224-D and RIO1608-D. Up to 8 Rio I/O units can be controlled and auto-configured from one CL console
Control port for PC and/or Wi-Fi connection
5 in/5 out GPI. 8U Stereo Effects Rack, 16U GEQ Rack, 8U Premium Rack, Nuendo Live and Dante™ Virtual Soundcard license included
Intuitive and beautiful touchscreen display
Stereo + Mono/LCR, 24 Mix + 8, Matrix outputs
8 Omni inputs, 8 Omni outputs, 3 MY-card slots, and built-in Dante™ interface
Designed for use with RIO3224-D and RIO1608-D. Up to 8 Rio I/O units can be controlled and auto-configured from one CL console
Control port for PC and/or Wi-Fi connection
5 in/5 out GPI. 8U Stereo Effects Rack, 16U GEQ Rack, 8U Premium Rack, Nuendo Live and Dante™ Virtual Soundcard license included
40 Mix channels (32 mono + 4 stereo)
16 Analogue inputs (12 x XLR / jack Mic / Line + 4 x jack line)
Stereo Out XLR balanced
Monitor Out 2 x jack balanced
4 x Jack Omni Out balanced
ADAT I / O
S / PDIF I / O coax
24bit / 96kHz AD / DA converter
USB 2.0 connection for 16x In / Out up to 96 kHz
8 x Mix Bus
8 x Aux Bus
VCM DSP effects
REV-X Reverb
Up to 4 simultaneous effects (at 24bit / 44.1 / 48kHz)
4-Band EQ + compressor and gate per mono channel
16 Analogue inputs (12 x XLR / jack Mic / Line + 4 x jack line)
Stereo Out XLR balanced
Monitor Out 2 x jack balanced
4 x Jack Omni Out balanced
ADAT I / O
S / PDIF I / O coax
24bit / 96kHz AD / DA converter
USB 2.0 connection for 16x In / Out up to 96 kHz
8 x Mix Bus
8 x Aux Bus
VCM DSP effects
REV-X Reverb
Up to 4 simultaneous effects (at 24bit / 44.1 / 48kHz)
4-Band EQ + compressor and gate per mono channel
ouchscreen & 17 Motorized Faders
16 Analog XLR/TRS Combo Mic/Line Inputs
2 Analog RCA Pin Stereo Line Inputs
16 Analog XLR Outputs
16 Analog XLR/TRS Combo Mic/Line Inputs
2 Analog RCA Pin Stereo Line Inputs
16 Analog XLR Outputs
MIXER ANALOGIC – Sonorizare Conferinte
Console Yamaha PM 5D
- 48 mono and 4 stereo inputs, 24 mix buses and 2 stereo outputs, and 8 matrix outputs.
- Custom "DSP7" LSI for ultra-high-speed 96-kHz/32-bit processing.
- I/O capacity and functionality can be doubled or tripled by adding one or two rack-mountable DSP5D Digital Mixing Systems.
- Easy "virtual soundcheck" with individually assignable channels does not require complex re-patching.
- Built-in VCM (Virtual Circuit Modeling) effects offer impeccable simulations of classic signal processing gear.
Yamaha DSP 5D
48 mono and 4 stereo inputs. 24 Mix buses, 8 Matrix buses.
24 Omni Outputs.
Full channel functionality: gain, EQ and filters, dynamics, sends. 8 effect processors and 12 graphic equalizers.
2 Mini-YGDAI expansion card slots.
Full compatibility with DSP5D Editor computer software. T
he ability to function as a remote stage box via the DCU5D Digital Cabling Unit.
- 48 mono and 4 stereo inputs, 24 mix buses and 2 stereo outputs, and 8 matrix outputs.
- Custom "DSP7" LSI for ultra-high-speed 96-kHz/32-bit processing.
- I/O capacity and functionality can be doubled or tripled by adding one or two rack-mountable DSP5D Digital Mixing Systems.
- Easy "virtual soundcheck" with individually assignable channels does not require complex re-patching.
- Built-in VCM (Virtual Circuit Modeling) effects offer impeccable simulations of classic signal processing gear.
Yamaha DSP 5D
48 mono and 4 stereo inputs. 24 Mix buses, 8 Matrix buses.
24 Omni Outputs.
Full channel functionality: gain, EQ and filters, dynamics, sends. 8 effect processors and 12 graphic equalizers.
2 Mini-YGDAI expansion card slots.
Full compatibility with DSP5D Editor computer software. T
he ability to function as a remote stage box via the DCU5D Digital Cabling Unit.
48 Mono input channels - 8 analog subgroups - Left, Right, and Mono outputs
5 Stereo Line Input channels on faders with EQ, bus assignment, and aux sends
Mono input channels have individual 48-volt phantom power, pad and polarity reverse switches
4-band equalizer on Mono inputs with two swept mid frequencies and fixed frequency high-pass filter
10 Auxiliary sends on mono input channels enables the console to be used as a monitor mixer
Direct output on all mono input channels
"Fader flip" function on aux outputs places aux masters on 100mm faders in place of groups and L/R
100mm high-quality faders on mono inputs, groups and separate left, right, and mono outputs
5 Stereo Line Input channels on faders with EQ, bus assignment, and aux sends
Mono input channels have individual 48-volt phantom power, pad and polarity reverse switches
4-band equalizer on Mono inputs with two swept mid frequencies and fixed frequency high-pass filter
10 Auxiliary sends on mono input channels enables the console to be used as a monitor mixer
Direct output on all mono input channels
"Fader flip" function on aux outputs places aux masters on 100mm faders in place of groups and L/R
100mm high-quality faders on mono inputs, groups and separate left, right, and mono outputs
40 inputs & 20 Monitor Mix Outputs.
Each Channel has fully balanced Inserts & Includes Mic Split on every input. Frequency Response +0.0, -0.5dB, 20Hz to 20 kHz (referenced to 1kHz)
Total Harmonic Distortion Mic input to Group output 20Hz to 20 kHz at +15dBu <0.01%
Each Channel has fully balanced Inserts & Includes Mic Split on every input. Frequency Response +0.0, -0.5dB, 20Hz to 20 kHz (referenced to 1kHz)
Total Harmonic Distortion Mic input to Group output 20Hz to 20 kHz at +15dBu <0.01%
MICROFOANE WIRELESS
RF Carrier Frequency Range 470–952 MHz
Working Range:
- Under typical conditions: 150 m (500 ft)
- Line of Sight, outdoors for a single system: 500 m (1600 ft)
Audio Frequency Response 40 – 18 kHz (+1, -3 dB)
Modulation:
- 45 kHz max. deviation FM, Audio Reference Companding with pre- and de-emphasis
- Signal-to-Noise Ratio (SNR) XLR Output: >118 dB (A-weighted) @1% THD
- AES3 Output: >130 dB (A-weighted) @1% THD
- Image Rejection >120 dB, typical
RF Sensitivity -110 dBm for 12 dB SINAD, typical
Spurious Rejection >110 dB, typical
Ultimate Quieting >110 dB, A-Weighted
Squelch Quieting >115 dB, A-Weighted
Latency <1 ms
Total Harmonic Distortion: 45 kHz max. deviation <0.3%, A-weighted, typical
Working Range:
- Under typical conditions: 150 m (500 ft)
- Line of Sight, outdoors for a single system: 500 m (1600 ft)
Audio Frequency Response 40 – 18 kHz (+1, -3 dB)
Modulation:
- 45 kHz max. deviation FM, Audio Reference Companding with pre- and de-emphasis
- Signal-to-Noise Ratio (SNR) XLR Output: >118 dB (A-weighted) @1% THD
- AES3 Output: >130 dB (A-weighted) @1% THD
- Image Rejection >120 dB, typical
RF Sensitivity -110 dBm for 12 dB SINAD, typical
Spurious Rejection >110 dB, typical
Ultimate Quieting >110 dB, A-Weighted
Squelch Quieting >115 dB, A-Weighted
Latency <1 ms
Total Harmonic Distortion: 45 kHz max. deviation <0.3%, A-weighted, typical
Sennheiser EW 100 G4-ME3 Wireless Cardioid Headset Microphone System
Key Features:
Half-rack stereo transmitter in a full-metal housing with OLED display for full control
Easy and flexible wireless synchronization between transmitter and receiver via infrared
Compatible with Sennheiser WSM control software for flexible frequency allocation
Up to 16 compatible channels
Up to 42 MHz bandwidth with 1680 selectable frequencies, fully tunable in a stable UHF range
Transmission Range: up to 100 meters / 300 feet
High RF output power (up to 50 mW) depending on country regulations
Key Features:
Half-rack stereo transmitter in a full-metal housing with OLED display for full control
Easy and flexible wireless synchronization between transmitter and receiver via infrared
Compatible with Sennheiser WSM control software for flexible frequency allocation
Up to 16 compatible channels
Up to 42 MHz bandwidth with 1680 selectable frequencies, fully tunable in a stable UHF range
Transmission Range: up to 100 meters / 300 feet
High RF output power (up to 50 mW) depending on country regulations
Wireless Transmission Analog UHF
Number of RF Channels 2772
Included Transmitters 1 x Bodypack
RF Frequency Band 470 to 542 MHz
RF Bandwidth 72 MHz
Frequency Step Size 25 kHz
Max Operating Range 330' / 100.6 m (Typical)
Max Systems per Setup 16
Latency 0.35 ms
Modulation FM
Pilot Tone 32 / 32.382 / 32.768 kHz
Number of RF Channels 2772
Included Transmitters 1 x Bodypack
RF Frequency Band 470 to 542 MHz
RF Bandwidth 72 MHz
Frequency Step Size 25 kHz
Max Operating Range 330' / 100.6 m (Typical)
Max Systems per Setup 16
Latency 0.35 ms
Modulation FM
Pilot Tone 32 / 32.382 / 32.768 kHz
Configuration: Handheld with Lavalier / Microphone
System: Simultaneous Channels: Up to 20 (bodypack and handheld cannot be used simultaneously)
System: Analog/Digital: Analog
System: Frequency Range: J1 band; 554-590 MHz
System: Operating Range: 300 ft. Line-of-sight
System: Frequency Response: 25Hz-15kHz
System: Microphone Included: Yes
System: Channel Selection: Auto
Microphone: Type: ULX2/SM58: Dynamic; WL185: Condenser
Microphone: Polar Pattern: ULX2/SM58: Cardioid; WL185: Cardioid
Microphone: Connector: WL185: TA4F
Microphone: Color: Black
Microphone: Frequency Response: ULX2/SM58: 50Hz to 15Hz; WL185: 50Hz-17kHz
Microphone: Cable Length: WL185: 4 ft.
Transmitter: Form Factor: ULX2/SM58: Handheld; ULX1: Bodypack
Transmitter: Dynamic Range: ULX2/SM58: 100dB (A weighted); ULX1: 105dB (A weighted)
Transmitter: Battery Type: ULX2/SM58: 1 x 9V; ULX1: 1 x 9V
Transmitter: Battery Life: ULX2/SM58: 8 to 9 hours; ULX1: 8 to 9 hours
System: Simultaneous Channels: Up to 20 (bodypack and handheld cannot be used simultaneously)
System: Analog/Digital: Analog
System: Frequency Range: J1 band; 554-590 MHz
System: Operating Range: 300 ft. Line-of-sight
System: Frequency Response: 25Hz-15kHz
System: Microphone Included: Yes
System: Channel Selection: Auto
Microphone: Type: ULX2/SM58: Dynamic; WL185: Condenser
Microphone: Polar Pattern: ULX2/SM58: Cardioid; WL185: Cardioid
Microphone: Connector: WL185: TA4F
Microphone: Color: Black
Microphone: Frequency Response: ULX2/SM58: 50Hz to 15Hz; WL185: 50Hz-17kHz
Microphone: Cable Length: WL185: 4 ft.
Transmitter: Form Factor: ULX2/SM58: Handheld; ULX1: Bodypack
Transmitter: Dynamic Range: ULX2/SM58: 100dB (A weighted); ULX1: 105dB (A weighted)
Transmitter: Battery Type: ULX2/SM58: 1 x 9V; ULX1: 1 x 9V
Transmitter: Battery Life: ULX2/SM58: 8 to 9 hours; ULX1: 8 to 9 hours
Backline
Microfoane pentru diverse aplicatii
Set Tobe Premier (3 sets)
Amplificatoare Chitara
- Vox AC30C2 Combo Amplifier
- Fender - HotRode Deville
- Fender - SuperReverb Celestion
- Marshal Combo
Amplificatoare Bass
- Ampeg BA-210 2x10″ Bass Combo
- Ampeg BA-115 15″ Bass Combo
- Peavey MAX® 300 300-Watt Bass Amp Combo
- Marshall 100 Combo
Stative si Accesorii
- Keyboard stand single x type / single table top / double x type
- Guitar stand single electric / single acoustic / multi
- Piano stool / Drum stool
- Cymbal stand & pack
- Music stand & Sconce light
